The form and motifs depicted in door locks often have symbolic messages despite their formal simplicity. These messages, both abstract and representational can be deeply personal. The stylized figures often represents ancestors whose presence is required to ensure protection from bad spirits or sorcery.
Today such locks have essentially disappeared, replaced by padlocks, and are no longer appreciated.
Created to be functional with spiritual references, these door locks have a strong sculptural appeal for western art audiences, even when viewers do not know their original cultural context.
What makes this piece even more special is the fact that it has the working key with it. An interesting combination here – two females sit atop the lock with carved X's surround the small, female figure done in high relief on the lock surface. The key has four pegged teeth with which to work the lock.
Collected by Peter Loebarth , a West German mining engineer stationed in Zaire in the 1960’s to 1970’s. Acquired by Robert Berg (Professor of Art, San Diego State University) in the late 70’s. Subsequently sold to Bill Schneider, 1979.
From the collection of Valerie Barnard Webster.
Height: 10" x Width: 10" x Depth: 2 ½.
- on its metal base it stands 12 ¾" in height.
